LEARN TO DANCE in
POPLAR BLUFF, MISSOURI

 

[Home[Ballroom Classes]  [Line Dancing] [Ballet Classes] [Calendars]

[Dance Party Photos] [Dance Party Schedules] [Registration Form] [Links]

 

 

BALLROOM CLASSES & SCHEDULES

All 6 week ballroom dance courses cost $60 per couple or $40 for singles at our ballroom.
We also teach at  TRCC.  Classes are held in the cafeteria at the Bess Activities Center.
They cost $75 per couple or $45 for singles.

Table of Contents:
East Coast Swing
West Coast Swing
Hustle
Night Club Two Step
Cha Cha Cha
Rumba
Salsa
Freestyle Foxtrot
Waltz


 

EAST COAST SWING

East Coast Swing is an American Style Rhythm dance often referred to as the triple step swing. It is a rotational dance on the spot that turns right and left but is rarely progressive. Once you master the basic triple rhythm a great emphasis is placed on pattern knowledge and variety. It is fun and probably the easiest social dance to master.

This dance consists of six and eight count patterns, which require a rock step back by both men and women. It is grounded with a little bounce. The bounce requires the dancer to stay smooth and not jump around too much. East Coast Swing is the base for all swing dances.


East Coast Swing ClassAmerican Style West Coast Swing, East Coast Swing, Cha Cha, Rumba, and Merengue have a greater variety of patterns than International Style and are more suited for social dancing.

 

 

East Coast Swing I (Beginner)            

D-102A Thursday Nights
January 28 - March 4, 2010     6:30 - 7:25

Credit Card

Check

D-102A
Tuesday Nights at TRCC
March 23 - April 4, 2010     6:30 - 7:25

 

Call TRCC at
573-840-9680
Call to make reservations

 
D-102A
Tuesday Nights at TRCC
May 18 - June 22, 2010     6:30 - 7:25

 

Call TRCC at
573-840-9680
Call to make reservations

 

 

East Coast Swing II (Intermediate)

D-102B To Be Announced
 
Credit Card Check
 

Table of Contents


 WEST COAST SWING

West Coast Swing is the state dance of California. It's origins are definitely in Jitterbug and Lindy Hop. It's distinctive "dancing in a slot" approach derives from San Diego dancehalls as far back as 1938.  The kicking jitterbugs would frolic in the center of the floor, with the smooth dancers grooving on the periphery. Many US Navy personnel seemed to be exploring the smooth style and let the woman go back and forth. Jitterbug was banned from virtually every serious dance hall in the late '40s due to many injuries to self and others from kicks, jumps, etc. So the smooth type of swing became popular. The real push behind the development of West Coast Swing came in the '50s, in the studios of Arthur Murray! This man spent lavishly on research & development. He can be credited with the first recorded steps of West Coast Swing.

West Coast Swing is the name of the dance in its current form.  It was first used in an advertisement by Skippy Blair in 1962, but wasn't incorporated into mainstream swing circles until the late 1960s. Blair credits Jim Bannister, editor of the Herald American newspaper in Downey, for suggesting the name West Coast Swing to distinguish it from East Coast Swing.

West Coast Swing is a slotted dance: the follower travels back and forth along a shoulder-width rectangle, called the slot, with respect to the leader. The leader is more stationary but will move in and out of the slot depending on the pattern led. A general rule is that the leader leaves the slot only to give way for the follower to pass him.  Slotted moves were a common part of the step vocabulary of Lindy and/or Jitterbug dancers during the 1940s and 1950s. The optimal rhythm (cadence) is 112 - 120 beats per minute (bpm). Yet, for some, things really heat up at the slower 90 -100 bpm which lends itself to a slow and sexy dance.

West Coast Swing is the only partner dance on the face of the Earth that allows the female the freedom to stylize her movements within the framework of the male lead. This "freedom" is attractive to many female dancers from all dance disciplines including ballet, jazz, tap, and hip-hop who are looking to "partner dance" within a milieu of relative independence.

D-106C Thursday Nights
March 25 - April 29, 2010  6:30 - 7:25
Credit Card Check

Table of Contents


HUSTLE

The Hustle is a catchall name for several disco dances which were extremely popular in the 1970s. Today it mostly refers to a unique partner dance done in ballrooms and nightclubs. It has some features in common with swing dance. In the 1970s there was also a line dance called the Hustle--which is regaining popularity as people throw 1970s theme parties or schools have 1970s dance performances. Modern partner hustle is sometimes referred to as New York Hustle.  As in the Latin dances, couples tend to move within a "spot" on the dance floor, as opposed to following a line of dance as in foxtrot, or as opposed to tracking within a slot as in West Coast Swing or LA Hustle.

D-111A Thursday Nights
March 25 - April 29, 2010  7:30 - 8:25
Credit Card Check

 


NIGHT CLUB TWO-STEP (a romantic slow dance)

Night Club Two-Step, not to be confused with country western or Texas two-step, is one of the most practical and versatile social dances ever conceived. It is designed to be used with contemporary soft rock music or love songs. Night Club Two-Step and Waltz are the two most poplar dances chosen for a wedding dance because of the love song chosen.

This type of music is common just about everywhere, such as nightclubs, weddings, social events, etc. The rhythm of the dance is very simple and rarely changes from the 1 & 2 count. This simple, romantic dance fills a gap where no other ballroom or social dance fits. It gives the dancer, either beginning or advanced, the opportunity to express and create without a rigid technique being required. It’s attractive, romantic and a real asset to learn, as it will be used often.

D-103A Monday Nights
January 25 - March 3, 2010   7:30 - 8:25

Credit Card

Check

Table of Contents



CHA CHA (LATIN DANCE)

The Cha Cha is an exciting, syncopated , Latin dance which originated in the 1950's. The Cha Cha garners its personality, rhythm, energy, and basic style from two major dance sources. It is derived from a slower version of the early Cuban Mambo and also the American Style Swing. By 1959, the United States was Cha Cha crazy and still is. It has become a staple in the Latin style dances commonly referred to as Salsa.

The distinctive beat features a syncopation where 5 steps are danced to four beats. This syncopation evolved into a 1 and 2 triple step rhythm similar to the American Style Swing. Like all the Latin dances, Cha Cha emphasizes hip action and rhythm and gets its name and character from its distinct repetitive foot action.

 
D-104 Monday Nights
January 25 - March 3, 2010   6:30 - 7:25

Credit Card

Check

D-104 Tuesday Nights at TRCC
March 23 - May 4, 2010   7:30 - 8:25

Call TRCC at
573-840-9680
Call to make reservations

 
D-104 Tuesday Nights at TRCC
March 23 - May 4, 2010   7:30 - 8:25

Call TRCC at
573-840-9680
Call to make reservations

 

 

CHA CHA II    This is a continuation of beginning cha cha, adding more turns, fancy footwork, and advanced techniques.

D-104A To Be Announced

Credit Card

Check

Table of Contents



RUMBA (ROMANTIC LATIN SLOW DANCE)

Salsa is sensual, Cha Cha is sexy, and Rumba is romantic! How many times has a DJ played music with an intoxicatingly slow tempo and you didn't know what to do? What you need is Rumba, with definite smooth hip action, partnership, and grace for both the dancers. The Rumba was originally a courtship, marriage, and street dance that was African in origin. The Rumba met some opposition from society’s upper crust because of the suggestive body and hip movements. Steps are made with a slightly bent knee which, when straightened causes the hips to sway from side to side, in what has come to be known as “Cuban Motion.”   Join us for this romantic Latin dance.

 

D-110A

To Be Announced

Credit Card

Check

Table of Contents



Salsa  (Mambo)

 

The term "Salsa" became popular as a nickname to refer to a variety of different music, from several countries of Hispanic influence: Rhumba, Són Montuno, Guaracha, Mambo, Cha cha cha, Danzón, Són, Guguanco, Cubop, Guajira, Charanga, Cumbia, Plena, Bomba, Festejo, Merengue, among others. Many of these have maintained their individuality and many were mixed creating "Salsa".

Salsa is similar to Mambo in that both have a pattern of six steps danced over eight counts of music. The dances share many of the same moves. In Salsa, turns have become an important feature, so the overall look and feel are quite different from those of Mambo. Mambo moves generally forward and backward, whereas, Salsa has more of a side to side feel.

Salsa is usually a partner dance, although there are recognized solo steps and some forms are danced in groups of couples, with frequent exchanges of partner (Rueda de Casino). Improvisation and social dancing are important elements of Salsa but it appears as a performance dance too.  Each dancer is accustomed to dance his/her own style. None is better, only different. ¡¡¡Viva la variedad, ¡¡¡Viva la Salsa!!! 

The name "Salsa" is the Spanish word for sauce, connoting (in American Spanish) a spicy flavor. The Salsa aesthetic is more flirtatious and sensuous than its ancestor, Cuban Son. Salsa also suggests a "mixture" of ingredients, though this meaning is not found in most stories of the term's origin.

D-109A

To Be Announced

Credit Card

Check

Table of Contents

 


Freestyle Foxtrot

The Foxtrot was introduced into the mainstream in 1913 by a man named Harry Fox. It ultimately became the most popular and lasting dance of the twentieth century, but not before going through many stylistic changes.

Compared with today's standards, the original Foxtrot was moderately fast, simple and unrefined, not unlike the music of the time. The popularity of the dance stemmed from its overall versatility and rhythmic variation  But it wasn't until the early 30`s that Foxtrot began to take on a smoother and more flowing quality in contrast to the new and exciting Latin dances hitting the scene.

Since the American style of Foxtrot is not limited in its syllabus to closed-position dancing, it takes on a much more "theatrical" quality than its International counterpart. The basic movements are still Foxtrot, but the choreography is often reminiscent of the style of Fred and Ginger, Gene Kelly, or sometimes even the original Harry Fox style.

The foxtrot you will learn here can be employed in any social setting.  It is a very smooth dance, usually done to a faster beat than nightclub two step.  You will move about the dance floor with ease and grace.

D-107C To Be Announced

Credit Card

Check

Table of Contents


Waltz I

The waltz has been used in many Hollywood movies where they wish to depict a more graceful dance scene. It began in Austria and was considered the most fashionable dance in the late 18th century. Within a few years, it spread across other countries forming the basis for many ballroom dances. Johann Strauss and Joseph Lanner wrote the first waltzes. In the mid 20th century, Paul Krebs adapted the Waltz into the dance we know today.

Originally, it was danced in a circular motion. It required a suitably large space to dance. In the International Standard Waltz, the couple never leaves closed position and uses box steps as well as progressive steps. Americans have adapted the Waltz into a less formal, more user friendly dance. It can be performed in a somewhat smaller space, but still requires more room than other dances.

This dance is 3/4 timing, even beats done primarily in closed position. The most common basic figure is a full turn in two measures using three steps per measure. Today, the very romantic Waltz is one of the most popular dances performed at weddings. It is second only to the equally romantic but less formal Night Club Two Step.
 
D-101C

To Be Announced

Credit Card

Check

 

Waltz II

Add at least 6 more advanced steps to your repertoire. 
Waltz II  has more advanced steps than Waltz I. Therefore, Waltz I is a prerequisite.

D-101B Thursday Nights
January 28 - March 4, 2010     7:30 - 8:25
Credit Card Check

 

Table of Contents


[Home[Ballroom Classes]  [Line Dancing] [Cajun Classes] [Ballet Classes] [Calendars

[Dance Party Photos] [Dance Party Schedules]  [Registration Form] [Links]

Learn to Dance dot BIZ
301 S. Main St., Suite B
Poplar Bluff MO 63901
573-778-3289
email:

Poplar Bluff Arts and Events Center
with Mystery Dinner Theater

Check out our Faux Painting School

Faux Finish Products at Discount Prices

 copyright 2007-2009 learntodance.biz